Taylor Swift announced the existence of his eighth album 17 hours before its release: “Most of the things I planned for this summer are not over,” he said, including a spot for the headline in Glasgowbury. “But there is something I didn’t use with this DID.”
Swift only released her last album, Lover, last August. She surprised to have emerged from lockdown with Folklore – a 16-track album largely produced (remotely) by the National’s Aaron Dessner – her fans were even more stunned by the fact that Swift would release a record with zero fanfare.
There are sometimes baffling brand endorsements. The often unpopular lead single seldom sounds like the rest of the album.
Vocal Directness Of Taylor Swift
There is not a pop star in your brain that takes a chorus or as an eyelid in your intelligence, if that is the limit. The demand for pop treatment means that his voice was never heard because it was there: this color in 1, an acceptance that reminds him of a lost lover in his crazy twenties; With what calm, but penance, remember the good parts. Something complicated in a cardigan, a careful song that shines like a rocky pond in a cave.
longest lyrical obsession is the loss of innocence, a theme she makes fairly devastating here. Set to high piano flurries, Seven switches between hopscotch-rhyme verses about childhood rituals, and pleading, choral depictions of herself at seven, “in the weeds, before I learned civility,” she sings.
She later recalls the young and naive love “when we change for the better” and then voluntarily entered into a fraudulent relationship with someone on illegal matters who “showed me colors that you know I don’t see anyone else.” A fruitful moment for such self-observation, the lack of fear, and indifferent remorse on the road to a new memory formation.